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Kōwhaiwhai could be defined as Māori abstract painting. Its swirling, spiralling patterns evoking whakapapa were intended also to connect Māori to the natural world. First detected on 18th century hoe (waka paddles) they were then seen on the hulls of waka as well as on the heke (rafters) of wharenui (meeting houses).
Aotearoa New Zealand’s history of Eurocentric appropriation and assimilation has led kōwhaiwhai to become a signifier of New Zealand art and, even, of New Zealand itself. It is an appropriation that has not been without controversy. Nevertheless, in the 21st Century, kōwhaiwhai remains alive, powerful and relevant. We are proud to present an exhibition of work by Māori artists whose practices explore, develop and engage with a design principle gifted to them by their ancestors.
For more information contact Tim Melville Gallery.